Artist Lecturer in Percussion
Undergraduate instrumentalists at Carnegie Mellon can earn a Bachelor of Fine Arts Degree in every orchestral instrument, as well as bagpipe, euphonium, guitar, and saxophone.
The heart of the Instrumental Performance major is the private studio instruction by Carnegie Mellon’s world-class faculty. With a close relationship to the Pittsburgh Symphony Orchestra, the School of Music faculty includes 22 PSO members, many of whom are principal players in the Orchestra. Renowned faculty from other parts of the country also travel to campus to teach instrumental majors in private studio and master class settings.
Understanding that every complete musician needs strong experience in major ensembles and chamber music, the School of Music places great importance on its orchestral and wind ensemble programs. Performing in the beautiful Carnegie Music Hall, only a short walk from campus, both ensembles present a full season of public performances, and have produced highly acclaimed recordings. The Contemporary Ensemble, Baroque Ensemble, and Jazz Ensemble, as well as Percussion Ensemble and other smaller groups round out the wide range of performance opportunities for instrumentalists. Click here, for more information.
Artist Lecturer in Percussion
Associate Professor of Flute
Described as a virtuoso flutist by the Boston Globe, Alberto Almarza brings a unique and passionate approach to music. His versatility and musicianship have led him to perform and record some of the most adventurous and challenging pieces from the music of today as well as works from the standard repertoire and Baroque literature on period instruments.
A native of Chile, Mr. Almarza previously held the position of Principal Flute of the Philharmonic Orchestra of Santiago. He later came to the United States to study with Jeanne Baxtresser in New York and with Julius Baker at Carnegie Mellon University in Pittsburgh, where he obtained his master's degree. He currently serves on the faculty at Carnegie Mellon as Associate Teaching Professor of Flute.
His skills as a pedagogue, lecturer and recitalist have led to invitations from international festivals in the U.S., Mexico, Germany, Chile, Argentina, Brazil and Peru. He is a resident artist and member of the faculty at The Jeanne Baxtresser International Master Class and has been recently appointed to the National Flute Association Advisory Board for New Music.
Mr. Almarza has appeared as soloist with Boston Modern Orchestra Project, Memphis Symphony, BachFest Chamber Orchestra, and the Symphonic Orchestra of Chile and has collaborated with such artists as Julius Baker, Andrés Cárdenes, Lionel Party and the Cuarteto Latinoamericano, among others. As a leading proponent of new music for the flute, Mr. Almarza has been instrumental in expanding the repertoire with numerous commissions and premieres of works by composers from around the world. Pieces written for him include five flute concertos and dozens of solo and chamber works.
He can be heard on radio broadcasts of International Music from Carnegie Mellon throughout North and South America, on compact discs from New Albion, Albany Records and Centaur Recordings as well as on a recently released Naxos Records compact disc of the Flute Concerto by Reza Vali with the Boston Modern Orchestra Project.
Artist Lecturer in Chamber Music
Bronwyn Banerdt joined the cello section of the Pittsburgh Symphony Orchestra in 2014. She made her solo debut with Los Angeles Philharmonic in 2002 and has since appeared in concert throughout the United States, Europe, Russia, and southern Africa. Notable solo appearances include performances with the Houston Symphony, Albany Symphony, and the world premiere of Poem for Cello & Orchestra by Michael Kamen. At age 15 Ms. Banerdt was personally invited by the world-renowned composer John Rutter to perform the solo from his Requiem in Carnegie Hall. Ms. Banerdt was awarded Grand Prize at the Los Angeles Philharmonic’s Bronislaw Kaper Awards, and she has also captured top prizes at the Houston Symphony Ima Hogg Competition and Kingsville Music Competition.
Equally passionate about chamber music and orchestral performance, Ms. Banerdt has co-founded two uniquely focused chamber music ensembles with other members of the Pittsburgh Symphony. The Clarion Quartet specializes in Entartete Musik — music written by oppressed composers — and seeks to bring light to artists whose legacies would be silenced. The Pittsburgh Cello Quartet offers an eclectic mix from classical to pop and rock in unique arrangements for four cellos. Ms. Banerdt has collaborated with renowned artists such as Kim Kashkashian and Mitsuko Uchida, and members of the Emerson, Guarneri, Juilliard, Borodin, and Orion string quartets. She has performed at numerous chamber music festivals including Marlboro Music and Music from Angel Fire. Before joining the PSO, Ms. Banerdt was a member of the prize-winning Trio Terzetto and performed as a substitute with many of the great orchestras of the world, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Detroit Symphony, and Lyric Opera of Chicago. Ms. Banerdt serves as Artist Lecturer in Chamber Music at Carnegie Mellon University.
A native of Los Angeles, Ms. Banerdt earned her Bachelor's Degree at age 19 from the USC Thornton School of Music, where she studied with Ronald Leonard. She subsequently studied at The Curtis Institute of Music with David Soyer and received her Master's Degree from The Juilliard School with Richard Aaron.
Ms. Banerdt plays a Montagnana model cello made by Mario Miralles in 1998.
Artist Lecturer in Trumpet
Neal Berntsen joined the Pittsburgh Symphony Orchestra trumpet section in March 1997, having been appointed at the invitation of Music Director Lorin Maazel in 1996. He is a native of Tacoma, Washington. He began his musical studies at age five playing the violin under the tutelage of his mother. By age eight he advanced to the trumpet and ultimately received a B.M. from the University of Puget Sound and a M.M. from Northwestern University. A former member of the Chicago Lyric Opera Orchestra and the Grant Park Symphony Orchestra, Neal has also performed as principal trumpet for the Ravinia Festival Orchestra, Chicago Chamber Orchestra and the Bamberg Sinfoniker in Germany. Other orchestral performances have included the Chicago Symphony Orchestra and the Boston Symphony Orchestra.
Active as a chamber musician, Neal is a member of the Pittsburgh Symphony Brass whose recordings, “BACH: THE ART OF FUGUE” (1998), “A CHRISTMAS CONCERT” (2000), “THE SPIRIT OF CHRISTMAS” (2003) and “A SONG OF CHRISTMAS” (2008) were described as “...Awhirl with color and rhythmic vitality – quite irresistible on every count.” by the Pittsburgh Post-Gazette. The recordings contain numerous arrangements by Neal Berntsen. Mr. Berntsen is also a founding member of the award-winning Asbury Brass Quintet, about which Fanfare magazine stated, “Not only expert but musical...undeniable virtuosity.” In June 2005 Mr. Berntsen toured Japan with members of the Chicago Symphony brass section with the Chicago Brass Soloists.
As a soloist, Mr. Berntsen has performed the Concerto in E-flat by Haydn, Arutunian Concerto for Trumpet and Orchestra, Carmen Fantasy by Proto and Antonio Vivaldi Concerto for two trumpets in C Major with The Pittsburgh Symphony Orchestra. Other solo engagements have included the Brevard Music Center, Milwaukee Symphony Orchestra and Bach’s Brandenburg Concerto No. 2 at the Sedona Chamber Music Festival in Sedona, Arizona. Mr. Berntsen’s performance of Copeland’s “Quiet City” was called a highlight of the 2005 season by the Pittsburgh Post Gazette. Mr. Berntsen’s solo recording TRUMPET VOICES was released in Nov. 2005. Andrew Druckenbrod, music critic of the Pittsburgh Post Gazette called the recording, “Electric”. While Mark Kanny of the Pittsburgh Tribune Review stated, “Trumpet Voices is an indispensable recording for anyone who appreciates great trumpet playing.”
Neal Berntsen was a finalist in both the Maurice André International Trumpet Competition in Paris, France and the Ellsworth Smith International Trumpet Competition. His wide ranging discography includes The Orchestras of Pittsburgh, Boston and Chicago, Manheim Steamroller, The American Girl Doll Christmas album and Michael Jackson.
As an educator, Mr. Berntsen is Chair of the Brass Division in the School of Music at Carnegie Mellon University. He previously served on the faculties of Duquesne University and Valparaiso University in Indiana. He has been published in The Instrumentalist magazine, and the International Trumpet Guild Journal. Neal Berntsen was involved in the editing of Luis E Loubriel’s book, “Back to Basics, The Teaching of Vincent Cichowicz” (Scholar Publications 2009) Mr. Berntsen was recently involved in the publication of Vincent Cichowicz Flow Studies Volume 1 (Studio 259 Productions 2013) and Volume 2 (Studio 259 Productions 2014) Additionally, Mr. Berntsen’s performance of the flow studies are contained in the CD’s released with the books.Mr. Berntsen has presented master classes and recitals around the world.
In summer 2009, Neal Berntsen began an association with the Brevard Music Center in Brevard, North Carolina. Mr. Berntsen serves as Principal Trumpet for the Brevard Music Center Orchestra, performs chamber music, teaches trumpet and coaches chamber music at the festival. In the summer of 2015 Mr. Berntsen will premier and record THE ANCIENT CALL for trumpet and orchestra written by Iranian- American composer Reza Vali at The Brevard Festival. The world premier will be conducted by Kieth Lockhart, Artistic Director of the Brevard Music Center. The piece incorporates the Persian Scale using quarter-tones. Mr. Berntsen will perform the piece on a specially modified vintage Mt. Vernon Bach C Trumpet, which will enable him to execute the Persian scale.
Mr. Berntsen is an active studio musician and was featured on an award winning national series of commercials during the broadcast of the Olympic games in Atlanta. His performance on “America” sung by Diana Ross opened the women’s final tennis match of the US OPEN in Flushing Meadows New York. Neal Berntsen has studied with Adolph Herseth, Vincent Cichowicz and Manuel Laureano.
Artist Lecturer in Percussion
Jeremy Branson is the Associate Principal Percussionist of the Pittsburgh Symphony Orchestra. Prior to his appointment in the Pittsburgh Symphony, Mr. Branson was a member of the New World Symphony in Miami Beach, Florida under the direction of Michael Tilson Thomas. During that time he also played regularly with the Philadelphia Orchestra.
Mr. Branson has performed under the batons of such conductors as James Conlon, Rafael Fruhbeck de Burgos, Charles Dutoit, Christoph Eschenbach, Manfred Honeck, Andres Nelsons, Leonard Slatkin, Gerard Schwartz, Robert Spano, Michael Tilson Thomas, and David Zinman. He has performed with notable artists including Emanuel Ax, Sarah Chang, Renee Fleming, Hilary Hahn, Thomas Hampson, Lynn Harrell, Lang Lang, Yo Yo Ma, Jean-Yves Thibaudet, and Andre Watts. Mr. Branson has premiered works by composers such as John Adams, Richard Danielpour, Michael Gandolfi, Philip Glass, Jennifer Higdon, Gyorgi Ligeti, Steven Mackey, and Christopher Theofanidis.
Mr. Branson earned his Bachelor of Music degree from Texas State University. He then earned his Masters of Music degree from Temple University in Philadelphia under the tutelage of Alan Abel. During his education, Mr. Branson attended the Aspen Music Festival, National Repertory Orchestra, National Orchestral Institute, Roundtop Music Festival and the Texas Music Festival.
Mr. Branson is the Chair of the Percussion Department at Carnegie Mellon University. He endorses Zildjian Cymbals, ProMark Sticks and Mallets, Remo drumheads, and Pearl/Adams Percussion.
Associate Teaching Professor of Horn
William Caballero joined the Pittsburgh Symphony Orchestra as Principal Horn in May 1989, coming from the Principal Horn post with the Houston Symphony Orchestra. Previously he had been a member of l'Orchestre Symphonique de Montreal and the Hartford Symphony.
Caballero also has played and been a member of the Boston Symphony Orchestra, the Boston Pops, the Houston Grand Opera, l'Opera de Montreal, the Opera Company of Boston, and the New England Ragtime Ensemble. Summer Festivals include The Grand Teton Music Festival in Jackson Hole, Wyoming and the Bellingham Music Festival of Bellingham, Washington.
Dorothy Richard Starling & Alexander Speyer Jr. University Professor of Violin, Music Director of Orchestral Studies
Recognized worldwide as a musical phenomenon, Grammy-nominated Andrés Cárdenes parlays his myriad talents into one of classical music’s most versatile careers. An intensely passionate and personally charismatic artist, Cuban-born Cárdenes has garnered international acclaim from critics and audiences alike for his compelling performances as a violinist, conductor, violist, chamber musician, concertmaster, and recording artist.
Since capturing Second Prize in the 1982 Tchaikovsky International Violin Competition in Moscow, Mr. Cárdenes has appeared as a soloist on four continents with over 100 orchestras including The Philadelphia Orchestra, Pittsburgh Symphony, Los Angeles Philharmonic, St. Louis Symphony, Moscow Philharmonic, Dallas Symphony, Helsinki Philharmonic, Shanghai Symphony, Sinfonica Nacional de Caracas, Sinfonica de Barcelona, and the Bavarian Radio Orchestra. He has collaborated with many of today’s greatest conductors, including Lorin Maazel, Rafael Frühbeck de Burgos, Mariss Jansons, Charles Dutoit, Christoph Eschenbach, Sir André Previn, Leonard Slatkin, Jaap van Zweden, David Zinman and Manfred Honeck.
This year and next Mr. Cárdenes continues his project to record many standard and contemporary concerti. Released in 2009 are recordings of concerti by Brahms, Mendelssohn, Beethoven, Barber and David Stock on the Artek and Albany labels. Plans to record Bartok’s Second Violin Concerto and the new version of the Viola Concerto are slated for 2012, along with other sonata recordings with pianist Ian Hobson. A recording of the complete works for violin by Leonardo Balada was released on Naxos in January 2011, with the complete Sonatas by Hindemith and the Beethoven Violin Concerto on Artek, to be released in the fall of 2011. Cárdenes’s discography includes over two dozen recordings of concerti, sonatas, short works, orchestral and chamber music on the Ocean, Naxos, Sony, Arabesque, RCA, ProArte, Telarc, Artek, Melodya and Enharmonic labels.
As an ambassador for music of our time, Mr. Cárdenes has commissioned and premiered over 65 works by American and Latin American composers such as David Stock, Leonardo Balada, Ricardo Lorenz, Eduardo Alonso-Crespo, Roberto Sierra, and Marilyn Taft Thomas. His concerto repertoire includes over 100 works, ranging from the Baroque era to the present.
Mr. Cárdenes has twice served as President of the Jury of the Stradivarius International Violin Competition and in 2011 will join the jury of the Tchaikovsky International Violin Competition in St. Petersburg, Russia.
A Cultural Ambassador for UNICEF from 1980-1991 and an indefatigable spokesperson for the arts, Mr. Cárdenes has received numerous awards for his teaching, performances, recordings and humanitarian efforts, most notably from the cities of Los Angeles and Shanghai and the Mexican Red Cross. He was named Pittsburgh Magazine’s 1997 Classical Artist of the Year and received the 2001 “Shalom” Award from Kollell’s International Jewish Center for promoting world harmony and peace through music.
Mr. Cárdenes was appointed Concertmaster of the Pittsburgh Symphony Orchestra by Maestro Lorin Maazel in 1989 and departed after the 2010 season to concentrate on his conducting, solo and chamber music careers.
Artist Lecturer, Director of Piping
Andrew Carlisle, an internationally known, award-winning bagpiper from Northern Ireland, was named Carnegie Mellon director of piping in 2010. Carlisle will lead the university's pipe band, orchestrate its participation in competitions, university events and ceremonies, and promote the School of Music's bagpipe major. He succeeds James McIntosh, who has served as interim director since Alasdair Gillies left the university last fall.
Carlisle comes from the University of Ulster in Northern Ireland, where he has taught in the undergraduate music program and has directed the university's Traditional Irish Ensemble.
Artist Lecturer in Trombone
Rebecca Cherian is Co-Principal Trombone of the Pittsburgh Symphony. She is a founding board member of the International Women's Brass Conference (IWBC) and was the editor of the IWBC newsletter for four years. Ms. Cherian began her professional career at the age of 16 as trombonist with the San Jose Symphony. At the age of 17, she appeared as soloist with the San Francisco Symphony, after winning first prize in the San Francisco Symphony's Young Musicians' Awards. Ms. Cherian also received the Atwater Kent Brass Award and the Outstanding Chamber Music Player Award at the Yale School of Music. Ms. Cherian earned her B.M. degree from the California Institute of the Arts and her M.M. degree from the Yale School of Music. Before becoming a member of the Pittsburgh Symphony in 1989, she held the position of Principal Trombone with the Springfield Symphony in Massachusetts and the Rhode Island Philharmonic. She was also faculty trombone instructor at the Hartt School of Music, University of Connecticut in Storrs, and Wesleyan University.
Artist Lecturer in Bass Trombone
Jeff Dee joined the Pittsburgh Symphony Orchestra as principal bass trombone in fall 2016. Prior to this appointment, he held similar positions with the Buffalo Philharmonic Orchestra, Jacksonville Symphony Orchestra, and Shanghai Broadcasting Symphony Orchestra. Jeff has been in demand as a guest artist with the major orchestras in Cincinnati, Cleveland, Dallas, Detroit, Naples, New York, Rochester, and San Francisco, and has participated in festivals in Barbados, Durango, and Sun Valley. While in Buffalo, he made 32 recordings with the orchestra, including Eric Ewazen’s Triple Concerto for Three Trombones and Orchestra. Ewazen wrote the Triple Concerto for Jeff and his colleagues, Jonathan Lombardo and Timothy Smith, and together they gave the world premiere in 2012 under Maestro JoAnn Falletta.
Outside of the orchestra, Jeff has enjoyed numerous solo, chamber, and teaching engagements. He has been fortunate to solo in front of the Buffalo Philharmonic, Amherst Symphony, U.S. Army Orchestra, World Youth Symphony, Brooklyn Wind Symphony, and various college ensembles. A lover of chamber music, Jeff has participated as a member of the Buffalo Chamber Players, Buffalo Philharmonic Brass Quintet, and the Great Lakes Trombone Ensemble.
Jeff currently serves on faculty for both Carnegie Mellon University and Duquesne University. Additionally, he has served on faculty for the University of North Florida and SUNY Fredonia, and led master classes throughout the U.S. For several summers, Jeff was guest artist and faculty for the Third Coast Trombone Retreat, an enriching program for trombonists of all ages.
A native of Plano, Texas, Jeff attributes his love of music to his public school music education and his inspiring teachers. He received a bachelor’s degree in performance from Southern Methodist University and a master’s degree in performance from The Juilliard School. His principal teachers include Joseph Alessi, Bob Burnham, Donald Harwood, and John Kitzman.
Artist Lecturer in Percussion
Paul Evans graduated from Duquesne University in 1988, with a bachelor's degree in Jazz Performance. While at Duquesne, he studied privately with Lenny Rogers and Don Liuzzi. Evans went on to earn a M.M. at Temple University, studying with Alan Able of the Philadelphia Orchestra. He is currently section percussionist with the River City Brass Band. A former extra percussionist with the Pittsburgh Symphony, Evans maintains an active freelance schedule in the Pittsburgh area.
Artist Lecturer in Guitar, Director of Guitar Ensemble
James Ferla's teaching reflects an integrated philosophy of musicianship skills and methodology by providing musical training that connects the broad spectrum of historical and current practices. The emphases throughout the guitar curriculum are connections, immersion in a wide range of musical repertoire, independent skills, sequential development of skills, and seeing the guitar as part of a great historical tradition. At Carnegie Mellon, Ferla also directs the Carnegie Mellon Guitar Ensemble.
As a performer, James Ferla has given numerous solo and ensemble concerts throughout the United States including programs at the Smithsonian Institution, Arizona State University, Wolf Trap, the Chautauqua Institution, Florida State University, Oberlin College and Notre Dame. He has been heard on NPR, PBS, CBS, Voice of America, USIA, Chukyo TV-Nagayo in Japan, and, in Pittsburgh on WQED-FM. Mr. Ferla has published several articles on guitar repertoire in SoundBoard, the journal of the Guitar Foundation of America, and is heard on seven CDs. He performs most frequently in a guitar duo with colleague John Marcinizyn with a repertoire ranging from Renaissance to Jazz. In addition to concerts with the Ferla-Marcinizyn Guitar Duo, he has also performed with the Pittsburgh Symphony, Cuarteto Latinoamericano, singer/actress Kate Young, the Renaissance City Winds, the Dear Friends Ensemble, oboist Cynthia Koledo DeAlmeida, tenor Doug Ahlstedt and mezzo-soprano Daphne Alderson. Ferla is on the advisory board of the Guitar Society of Fine Art.
Professor of Violin
Noted for the “fiery intensity” and “poetic vision” of his playing, Cyrus Forough's reviews comprise a lexicon of superlatives in more than a dozen languages. Of his July 2015 performance of Debussy’s Violin Sonata, Jim Lowe wrote, “With a warm sound and deft technique, Forough was an expert musician, utilizing skilled articulations and a broad palette of tonal colors, in delivering Debussy’s unique mix of Romanticism and Impressionism.” Critic Donald Isler lauded Mr. Forough’s performance of Beethoven Sonata No. 7 in August 2016 as “a very fine performance of a great work,” saying he “played with great flair and stylistic understanding.”
A laureate of the Tchaikovsky International Competition, Mr. Forough also won first prize in the Milwaukee Symphony Violin Competition and was a finalist in the Munich International Violin Competition. He and his wife Steinway Artist Carolyn McCracken, as the Forough/McCracken Duo, won the United States Artistic Ambassador Program's National Violin/Piano Duo Competition. He also holds the World Academy of Arts, Literature, and Media Award in recognition of his contributions to classical music and education.
Mr. Forough's unique succession of studies, in three major international cultural centers with three of the twentieth century’s legendary violin masters—Arthur Grumiaux, David Oistrakh and Josef Gingold—has made him a prominent representative of the Franco-Belgian school of violin playing.
When he was five years old, he began his violin studies with his mother, who herself was a graduate of the Royal Conservatory of Music in Brussels, Belgium. First in Liège she had studied under the tutelage of Ernest Chaumont and Leopold Charlier, both distinguished professors of the Franco-Belgian violin school, and subsequently with André Gertler at the Royal Conservatory of Brussels, where she graduated with a First Prize in violin and history of music.
Within the first few years Mr. Forough performed publicly in concerts and on Iranian television. At the age of seven he performed a recital at the Ministry of Arts and Culture recital hall in Tehran, where he played three concertos with piano, namely Vivaldi A minor, Viotti Concerto No. 23 in G major, and Rode Concerto No. 8. At age eight his parents took him to Europe in order for him to further his violin studies with well-known European pedagogues of the time. In Vienna he auditioned for distinguished violinist and pedagogue Ricardo Odnoposoff; in Paris for internationally recognized professor Gabriel Bouillon at the Paris Conservatory and Michelle Auclair; in Salzburg, Austria for André Gertler; and in Brussels for the internationally renowned violinist and professor Arthur Grumiaux, all of whom agreed to take him as their student.
As a result, Cyrus Forough became the youngest student ever to attend the Royal Conservatory of Music in Brussels, admitted at the exceptional age of nine to study with the legendary Belgian violinist Arthur Grumiaux for the first year of his studies. He graduated at age sixteen with a First Prize and High Distinction Medal in violin and at age seventeen with a First Prize with Distinction in chamber music. He then at the age of eighteen became one of only thirteen students chosen by national competition to attend Europe's most renowned school for promising young performers, the Chapelle Musicale Reine Elisabeth, for the 1968–71 session. During this time he also obtained his Superior Prize with High Distinction in violin from the Brussels Royal Conservatory of Music.
Subsequently, after hearing Mr. Forough perform, the legendary violinist David Oistrakh invited him to pursue post-graduate studies with him at the Moscow Tchaikovsky Conservatory, which he attended from January 1973 to January 1976. Upon Mr. Oistrakh's untimely death in October 1974, he completed his studies with David Oistrakh’s assistant Mr. Oleh Krysa, who today is a Professor of Violin at the Eastman School of Music. Mr. Forough then attended Indiana University School of Music for two and a half years, where he studied with and was the personal assistant to Professor Josef Gingold, himself a student of the great Belgian violinist Eugène Ysaÿe.
Cyrus Forough has performed in recital, with orchestras, and in chamber music ensembles throughout Europe, Asia, and the Americas, including live broadcasts on radio and television. He has performed and taught at festivals in Argentina, Austria, Belgium, Bulgaria, Canada, China, Czech Republic, France, Germany, Great Britain, Hong Kong, Iran, Italy, Luxembourg, Poland, Rumania, Russia, Taiwan, Thailand, the United States, Uruguay and Venezuela. His solo concerts for international dignitaries have included command performances for Queen Fabiola and then-Princess Paola of Belgium, the Shah and Queen Farah Pahlavi of Iran, President Anwar Sadat of Egypt, President Hassanali of Trinidad and Tobago, and President Kreiske of Austria. He also gave a special performance in Bangkok for the birthday celebration of Queen Sirikit of Thailand.
Mr. Forough has worked with conductors such as Rudolf Barshai, Sidney Harth, Alan Heatherington, Daniel Hege, Zdenek Kosler, Farhad Mechkat, Paul Polivnick, Alexander Rahbari, Vladimir Sirenko, Adrian Sunshine, Loris Tjeknavorian, André Vandernoot, and Ronald Zollman, amongst others.
He has performed at numerous summer festivals such as the Weimar Festival in Germany, the Plovdiv Music Festival in Bulgaria, the International Schubert Festival at Indiana University, and the American Sacred Music Festival in Milwaukee, invited there by composer and conductor Lukas Foss.
Mr. Forough has championed contemporary music throughout his career. He gave the Tehran Symphony Orchestra’s premiere of the Shostakovich First Violin Concerto in 1975 with conductor Adrian Sunshine. In 1985, he gave the Milwaukee Symphony’s premiere of that same concerto under the baton of Paul Polivnick. Among other performances of contemporary works, in 2010 he performed Witold Lutosławski's Chain 2, Dialogue for Violin & Orchestra with the Carnegie Mellon Philharmonic under Ronald Zollman. Mr. Forough has also performed the works of composers including Erberk Eryılmaz, Alan Fletcher, Lukas Foss, Ramin Heydarbeygi, Otto Luening, Alireza Mashayekhi, Behzad Ranjbaran, Amir Mahyar Tafreshitour, and Reza Vali, including Vali's Khojasteh “Majestic”, a duo for violin and cello. This work was dedicated to Cyrus Forough, who gave the premier at the National Gallery in Washington, D.C. in January 2013. He is also the dedicatee of Alan Fletcher's Woman Holding a Balance, which he premiered in 2011 at the National Gallery.
In September 2016, Mr. Forough recorded Alireza Mashayekhi’s fourth violin concerto with the Ukraine National Symphony, Vladimir Sirenko conducting. Mashayekhi's fourth and fifth violin concertos and his fourth Violin and Piano Sonata are dedicated to Cyrus Forough. He will give the world premiere of the sonata along with other Mashayekhi compositions dedicated to him, including the transcriptions for violin of Sonata Electronica and Tonalian, in a November 2017 recital at the ISSUE Project Room in Brooklyn, NY.
The Forough/McCracken Duo performed William Kraft's Double Play with orchestra, and premiered the Violin and Piano Sonata of Shostakovich and Central Park Reel by Lukas Foss in numerous cities in the United States, the Caribbean, and South America.
Called “musical treasures of absolute mastery,” the Forough/McCracken Duo has charmed and captivated audiences with the artistry of their unique duo partnership. They have performed in many concert venues, including the Kennedy Center, the Phillips Collection, the National Gallery in Washington, D.C., the Teatro Colón in Buenos Aires, and others.
As Artistic Ambassadors of the United States, they concertized in many countries, performing in recitals and with orchestras, giving master classes and interviews, participating in symposiums and discussions at universities and conservatories, and giving benefit recitals for anti-drug education/rehab and Down syndrome research foundations, all for the purpose of fostering goodwill and cultural understanding between people and nations.
Mr. Forough's dedication to teaching and his skill at communicating his art have earned him a reputation as a sought-after and highly effective violin pedagogue. Having studied on three continents with some of the greatest violin virtuosos of the twentieth century, he is one of the living links to the great Franco-Belgian school of violin playing and pedagogy.
At present he is a full-time tenured Professor of Violin at Carnegie Mellon University’s School of Music in Pittsburgh. Mr. Forough has previously taught at several other universities and was an Artist Faculty member of the Music Institute of Chicago's Academy for the Gifted. He was also a visiting professor at the Eastman School of Music in 2009, 2010, and 2015.
Mr. Forough’s former students are members of professional orchestras worldwide, including the Royal Danish Opera Orchestra (concertmaster) in Copenhagen, Denmark; National Symphony of Argentina in Buenos Aires (concertmaster); Dallas Symphony Orchestra (associate concertmaster); Chicago Symphony Orchestra; Cleveland Orchestra; Indianapolis Symphony Orchestra; Milwaukee Symphony Orchestra; Buffalo Philharmonic; Naples Philharmonic (Florida); Calgary Symphony Orchestra; Hong Kong Sinfonietta; and many others. Former students are members of chamber ensembles such as the JACK Quartet and the Palladian Ensemble, amongst others.
Mr. Forough’s college and pre-college students have also received first prizes, awards, and other prizes in many international and national competitions. Among these are Finalist and "Public Prize" at the Sibelius International Violin Competition, the Paganini Award at the Indianapolis International Violin Competition, Prizewinner at the Menuhin International Violin Competition, "Best Talent" at the Sarasate International Violin Competition, Wieniawski International Violin Competition (3rd round), and prizewinner at the Henryk Szeryng International Competition in Mexico. His students have won numerous first and other prizes at competitions in the United States such as the Washington International Competition for Strings, the Johansen International, the Klein International String Competition, the Stulberg International String Competition, the Cooper International Violin Competition, the Lynn National Competition, and the Illinois Bell Young People's Concerto Competition, performing live on television with the Chicago Symphony Orchestra. Mr. Forough’s students have also taken first prizes at the Fischoff, Rembrandt, and countless other violin and chamber music competitions.
Numerous pre-college students have been chosen to perform on "From the Top" including at Carnegie Hall, New York, and throughout the nation broadcast on radio and television. His students have included winners of the National Foundation for Advancement in the Arts and a Presidential Scholar.
In the summer of 2017, Mr. Forough will return as a faculty member at the Summit Music Festival in Pleasantville, New York, to perform and teach. He has also been on the faculty at numerous other summer music festivals. U.S. destinations have included the Beverly Hills International Music Festival (California), Bowdoin International Music Festival (Brunswick, Maine), Indiana University String Academy (Bloomington, Indiana), Killington Music Festival (Rutland, Vermont), Madeline Island (Wisconsin), Meadowmount Summer School of Music (New York), and the Northwestern University Summer Violin Institute (Evanston, Illinois). Internationally, he has been on the faculty at the Cambridge International String Academy (Cambridge, Great Britain), Chateau de Champ Music Festival (Paris, France), International Music Festival Montpellier (France), Niagara International Chamber Music Festival (Canada), Pilsen International Music Academy (Czech Republic), Schlern International Music Festival (Italy), and Sulzbach-Rosenberg International Music Festival (Germany).
Mr. Forough has been an adjudicator for competitions including the Stulberg International Competition and the Sorantin International String Competition, and has conducted master classes at the aforementioned summer festivals as well as at the Oberlin Conservatory of Music, Northwestern University, the Cleveland Institute of Music, Beijing Central Conservatory, Shanghai Conservatory of Music, Guangzhou Xinghai Conservatory of Music, Peabody Institute Preparatory, Mount Royal College-Academy "Program for Gifted Youth" in residence in Calgary, Canada, the Glenn Gould School of the Toronto Royal Conservatory of Music, and many others. In March 2016 he gave a master class and violin recital as part of the A.I. Lack Master Class series at the University of Houston’s Moore School of Music.
Artist Lecturer in Bassoon
Nancy Goeres, Principal Bassoonist of the Pittsburgh Symphony Orchestra, joined the Symphony's bassoon section in the 1984-85 season.
An avid chamber musician, she has performed at the Tanglewood, Marlboro, Sarasota, LaJolla and Mainly Mozart festivals; and most recently at New York's 92nd Street Y Series, Santa Fe Chamber Festival, Music in the Vineyards (Napa, Ca.), and Instrumenta Verano, Puebla, Mexico. She has also toured with Musicians from Marlboro.
With Lorin Maazel and the Pittsburgh Symphony Orchestra, she premiered the Ellen Taaffe Zwilich Bassoon Concerto, commissioned for her by the Pittsburgh Symphony Society. Ms. Goeres subsequently performed the Zwilich Concerto at the Aspen Music Festival and School and at the 1996 conference of the International Double Reed Society, and recorded it with the PSO and Maazel for the New World label. In May 2004, after working with musicians in Cuba, she performed the Concerto with the Havana Symphony. Other solo performances with the PSO include performances of Haydn's Sinfonia concertante, John Williams's bassoon concerto The Five Sacred Trees, and the Mozart Bassoon Concerto.
An active teacher, Ms. Goeres has given master classes in Europe, Canada, Mexico, Asia and South America, as well as in the U.S., most recently for the New World Symphony in Miami Beach, the Juilliard School, and the Curtis Institute of Music. In October 2004, she gave her first master class over the Internet for the bassoon section of the New World Symphony. Also that month she performed in recital with clarinetist Michael Rusinek in Amsterdam, Netherlands.
A native of Lodi, Wisconsin, her principal teachers were Sherman Walt and Richard Lottridge. Nancy Goeres holds the PSO's Mr. & Mrs. William Genge and Mr. & Mrs. James E. Lee Principal Bassoon Chair. She is a faculty member of Carnegie Mellon University's School of Music and performs and teaches regularly at the Aspen Music Festival.
Artist Lecturer in Double Bass
Professor of Viola and Chamber Music
David Harding has an extensive solo and chamber music career, having performed throughout Europe, the United States, Canada, Central America and Australia, in such renowned venues as Berlin’s Philharmonie, the Beethovenhaus in Bonn, Amsterdam’s Concertgebouw, and New York’s 92nd Street Y and Metropolitan Museum of Art. Noted for his “eloquent viola playing” (The Scotsman), David has performed at music festivals around the world, including the Edinburgh International Festival, Ottawa International Chamber Music Festival, Seattle Chamber Music Society, Sitka Chamber Music Festival, Australian Festival of Chamber Music, and Philip Glass’ “Days and Nights Festival” in Big Sur, California. David’s career has involved collaborations with leading instrumentalists and ensembles such as the Pacifica, Shanghai, Cypress, Dover, Fine Arts and Miro Quartets as well as the Gryphon Trio. David was formerly a member of the Toronto String Quartet and the Chester String Quartet (“one of the country’s best and brightest young string quartets,” — Boston Globe) as well as the Canadian string trio “Triskelion.” With his wife, flutist Lorna McGhee and harpist, Heidi Krutzen, David is a member of Trio Verlaine.
David’s live performances have been broadcast on CBC Radio (Canada), BBC Radio 3 (UK), NPR’s ‘Performance Today’ (USA), ABC (Australia) and Deutschland Radio. David has recorded two CDs with Trio Verlaine; “ Fin de Siècle, the music of Debussy and Ravel” (noted by the Vancouver Sun for “ravishing playing”) and “Six Departures” featuring works by Bax and Jolivet alongside new commissions by R. Murray Schafer and Jeffery Cotton. Upon release, “Six Departures” was chosen to be CBC Radio’s ‘Classical CD of the Week.’ Other notable recording projects include Philip Glass’ String Sextet and Schoenberg’s “Verklärte Nacht” on Orange Mountain Records, Bach’s “Goldberg Variations” with the string trio Triskelion for CBC records, the music of Aaron Jay Kernis with the Chester Quartet, and Brahms’ Viola Sonatas with pianist Phillip Bush for Skylark Music.
In addition to performing the core chamber music literature, David enjoys working closely with composers on new commissions and has helped to expand the repertoire for viola with four solo commissions, and five chamber music commissions to date. In collaboration with Philip Glass, he has worked on interdisciplinary projects with poets Jerry Quickley, Mike Garry, and kora player, Foday Musa Suso. David has worked alongside rock musicians in studio sessions, and arranged the string tracks for the Juno-winning, Grammy-nominated album “Mad Mad World” by Tom Cochrane. Prior to joining the Chester Quartet and embarking on a chamber music career, David was Assistant Principal Viola of the Canadian Opera Company, and performed and recorded with renowned early music ensemble, Tafelmusik.
The depth of David’s musical experience and knowledge make him perfectly placed to help the next generation of musicians. As a devoted and sought-after teacher, David is currently Professor of Viola and Chamber Music at Carnegie Mellon University, Pittsburgh. He has given masterclasses throughout North America, at institutions such as the University of Michigan, Oberlin Conservatory, Glenn Gould School at the Royal Conservatory of Music, Toronto, Banff Centre for the Arts and Creativity. David was formerly Associate Professor of Viola at the University of British Columbia, and with the Chester String Quartet, “Ensemble in Residence” at Indiana University South Bend. A graduate of the Juilliard School of Music and winner of the Sir John Barbirolli Award at the Lionel Tertis International Viola Competition, David’s primary teachers were Tibor Vaghy, Paul Doktor and Emmanuel Vardi. He performs on violas made by Nicolas Gilles, Montpellier, France and Pietro Antonio Della Costa, Treviso, Italy.
Artist Lecturer in Double Bass
Micah Howard enjoys a very rewarding career as both a performer and a teacher. He joined the world renowned Pittsburgh Symphony Orchestra in 1996 at the age of 25. As a member of the Pittsburgh Symphony, he has toured five continents, including Europe, Asia, Australia, South America and North America. Howard regularly performs as a recitalist, and chamber musician. He has also been featured as a soloist with the Pittsburgh Symphony Orchestra.
Howard has always been active as a music educator. In addition to private teaching, he regularly serves as lecturer for various universities, coaches youth ensembles, such as the Pittsburgh Youth Symphony Orchestra and the Youngstown Youth Symphony Orchestra, and in collaboration with the Pittsburgh Symphony's outreach program, visits local grade schools and high schools to coach ensembles and promote music education. Since the spring of 2000, he has been teaching string bass as adjunct faculty at the Dana School of Music, Youngstown State University, and is also an adjunct professor at Duquesne University. At Carnegie Mellon, Howard serves as Artist Lecturer in Double Bass.
As a member of the Pittsburgh Symphony, Howard has served on several committees. Most notably, he was a member of the core audition committee for five years, serving as chair for two of those years. While on this committee, he played a role in hiring more than twenty full-time and substitute members of the orchestra. He was also involved in creating a new process, which was instituted in 2005, for hiring new musicians. Currently he is a member of the Orchestra and Artistic Committees.
Howard received his Bachelor of Music degree from Youngstown State University, and his Masters of Music degree from Duquesne University School of Music. His teachers include Tony Leonardi, Rodney Van Sickle, Edward Pales, Peter Paul Adamiac, and Jeffrey Turner. While still a student, Howard performed as a member of many regional orchestras, such as the Youngstown Symphony Orchestra, the Wheeling Symphony Orchestra, and the Erie Philharmonic. He also played as a substitute with the Columbus Symphony Orchestra, the Pittsburgh Ballet and Opera Orchestras, and the Pittsburgh New Music Ensemble. In 1995 he took first place in the International Society of Bassists Orchestral Competition.
Artist Lecturer in Tuba
Craig Knox was appointed Principal Tuba of the Pittsburgh Symphony Orchestra in 2005. His previous orchestra positions included Acting Principal Tuba of the San Francisco Symphony as well as Principal Tuba of the Sacramento Symphony and the New World Symphony (Miami). Prior to his appointment in Pittsburgh, he was in demand as a regular guest artist with many major American orchestras, including those of Philadelphia, Cleveland, Chicago, Detroit and Minnesota. Since 1995, he spends part of each summer as Co-Principal Tuba of the Grand Teton Music Festival in Jackson, Wyoming.
Since joining the PSO, Mr. Knox also performs with the Pittsburgh Symphony Brass, and with his colleagues in the PSO trombone section, he recorded "From the Back Row" - an album of chamber music and orchestral excerpts for low brass quartet - on the Albany label. He has been an active chamber musician for many years, having co-founded the Center City Brass Quintet, an ensemble which has performed in recital throughout the U.S. and Japan, and been heard numerous times on NPR. Its five recordings on the Chandos label have met with critical acclaim, the first being described by American Record Guide as 'one of the all-time great brass quintet recordings'. In addition, he has played for several seasons with the Chicago Chamber Musicians Brass Quintet, with which he recorded for the Naxos label, and has toured with the Empire Brass.
Mr. Knox has performed on the soundtracks for numerous major motion pictures, including Spy Kids, Mars Attacks!, Jefferson in Paris, One Fine Day, and Elmo in Grouchland, which won a Grammy Award for Best Children's Album. He can also be heard on nationwide television every Saturday during football season in the music for ABC College Football.
Prior to joining the faculty at Carnegie Mellon University, Knox served on the faculty at Kent State University, California State University-Hayward, as well as the San Francisco Conservatory of Music, where he was Director of the Brass Chamber Music program. With the Center City Brass Quintet, he has presented master classes and seminars at universities and conservatories throughout the U.S., and has been in residence annually at the Music Masters Course in Kazusa, a festival in Japan which draws conservatory students from four continents. He has also taught at the University of Maryland's National Orchestral Institute.
A native of Storrs, Connecticut, Knox's first teachers included Gary Ofenloch, Samuel Pilafian, and Chester Schmitz, and he attended the Curtis Institute of Music, where he studied with Paul Krzywicki of the Philadelphia Orchestra, and earned a bachelor's degree in music.
Associate Teaching Professor of Oboe
Cynthia Koledo DeAlmeida has enjoyed playing as Principal Oboe of the Pittsburgh Symphony Orchestra since 1991. For two years prior to this she was Associate Principal Oboe of the Philadelphia Orchestra.
Ms. DeAlmeida has been featured with the PSO in concertos by Bach (Concerto in A major for Oboe D’amore, Frans Bruggen, cond.), (Brandenburg Concerto nos.1 and 2, Jeannette Sorrell, cond.) Haydn (Sinfonia Concertante in B flat major, Alessandro Siciliani, cond.), (Concerto in C major, Manfred Honeck, cond.);Vaughan Williams (Concerto in A minor, Yoav Talmi, cond.); Strauss (Concerto in D major, Sir Andre Previn, cond.); Mozart (Concerto in C major); and Francaix (The Flowerclock, Leonard Slatkin, cond.). She has performed Bach’s Concerto for Violin and Oboe with the PSO and Vladimir Spivakov, Andres Cardenes, Pinchas Zukerman, and Noah Bendix-Balgley.
Ms. DeAlmeida has been honored with the commissioning of three oboe concerti for her by the PSO. The first one, commissioned by Lorin Maazel, was composed by Leonardo Balada and premiered in 1993, Lorin Maazel conducting. The following season she recorded it with Maazel and the PSO for New World records. The second PSO commission for Ms. DeAlmeida was written by Lucas Richman. She premiered it in 2006 with the PSO conducted by Sir Andrew Davis. In 2015 she recorded this concerto with the PSO, Lucas Richman conducting, for Albany Records. A third commissioned concerto, composed by Alan Fletcher, was premiered with the PSO and Manfred Honeck in June 2015. Ms. DeAlmeida has also appeared as soloist with the Philadelphia Orchestra, the Knoxville Symphony, the Haddonfield Symphony, the Cayuga Chamber Orchestra, the Concerto Soloists of Philadelphia, and the Carnegie Mellon Philharmonic.
Ms. DeAlmeida is an avid chamber musician, having performed numerous recitals at Carnegie Mellon University since 1993. She has commissioned and published several compositions from these recitals.
Each summer since 2002 she performs and teaches as a faculty member of the Music Academy of the West in Santa Barbara, California. Several of her performances there have been featured on NPR’s ‘Performance Today”. Ms. DeAlmeida has also performed at the Strings Festival in Steamboat Springs, Colorado, the La Jolla Festival in La Jolla, California, and the Marlboro Music Festival in Vermont and on Music from Marlboro tours.
In November 2002, Ms. DeAlmeida’s first solo CD was released on the Boston Records label. Classic Discoveries for Oboe was hailed by American Record Guide as “a masterly recording… Cynthia Koledo DeAlmeida is simply one of the finest exponents of the instrument anywhere.” Her second solo CD entitled Mist Over the Lake on the Crystal Record label was released in 2006 to rave reviews: “Ms. DeAlmeida is hands down one of the best players in the world…” In November 2015, her latest solo CD, Silver and Gold, was released on Crystal Records.
She can also be heard on Crystal Records’ recording of Sir Andre Previn’s Sonata for Oboe, Bassoon, and Piano with Sir Andre Previn, as well as all the PSO recordings since 1991 under Lorin Maazel, Mariss Jansons, Marek Janowski, and Manfred Honeck. In 2009 Mrs. DeAlmeida travelled to Berlin to perform the German Requiem of Brahms with Marek Janowski and the Radio Orchestra of Berlin (RSB). The performances were recorded for a CD on the Pentatone label.
Teaching has always been a rewarding part of Ms. DeAlmeida’s artistic life. She has been Associate Teaching Professor at Carnegie Mellon University’s School of Music since 2012, and a faculty member there since 1991. She has held teaching positions at Temple University in Philadelphia and Trenton State College in New Jersey, and has taught at the National Orchestral Institute at the University of Maryland as well as the New World Symphony. She is frequently asked to teach masterclasses at universities in the U.S. and abroad.
In 2003, Ms. DeAlmeida was featured on national television on the CBS “Early Show” in a story relating to the oboe and its remarkable health benefits for asthma sufferers, which led to her work as an ambassador for the American Respiratory Alliance in Pittsburgh.
Ms. DeAlmeida volunteers at the classical radio station WQED in their fundraising pledge drives. She participates in the PSO’s outreach and education department playing and speaking to young people in various venues throughout the Pittsburgh area.
Ms. DeAlmeida received the Bachelor of Music degree from the University of Michigan, studying with Arno Mariotti, and the Master of Music degree from Temple University, as a student of Richard Woodhams. She proudly plays on F. Loree oboes of Paris, France.
Artist Lecturer in Euphonium & Music Business, School of Music Freshman Advisor, and Coordinator of Special and Creative Projects
Lance LaDuke is internationally known as a performer, writer, speaker and educator. In addition to his duties on trombone and euphonium (and singer/court jester) in Boston Brass, Lance teaches at Duquesne and Carnegie Mellon Universities. Prior to joining Boston Brass, he served as principal solo euphonium with the River City Brass Band, the only full time professional brass band in the country. Lance has written for countless organizations, including sketches for radio, stage and themed attractions. He studied comedy improv and was a member of several improv troupes and regularly steps in front of audiences around the country in a number of character and comic roles.
A graduate of Michigan State University, Lance received a bachelor’s degree in Music Education, with a cognate in English. After graduate study at the University of Akron (euphonium performance) and George Mason University (instrumental conducting), Lance joined the United States Air Force Band in Washington D.C. While there, he performed for two presidents, countless dignitaries and heads of state and in hundreds of protocol functions, ceremonies, and public relations tours. He maintained a Top Secret security clearance, played for well over a million people from the White House to Red Square, and can be seen (with a magnifying glass) in the movie A Clear and Present Danger.
Lance has also performed with many of the top professional brass groups in the country, including the Brass Band of Battle Creek and the Nothing But Valves brass quartet. He has taught and/or given master classes at some of the world’s finest universities and conservatories, including Juilliard, the Royal Academy of Music in London and Yong Siew Toh in Singapore. He has appeared on over thirty recordings, has produced nine others and has toured extensively throughout North America, South America, Europe and Asia. His performances have been seen and heard on numerous television and radio programs.
Lance co-wrote and produced (with Deanna Swoboda) Band Blast Off, a band recruiting DVD and is currently in development on another. His comedy songs, including a touching elegy to a dead goldfish and a song about getting underwear for Christmas, are available for viewing through lanceladuke.com. Additionally, he has recently launched a speaking career, sharing his ideas on practice, leadership, and self-development.
His new book, Music Practice Coach, Five Workouts to Get the Most Out of Your Practice Time! is available through marketingvp.us or in all ebook formats.
Artist Lecturer in Cello
Anne Martindale Williams has enjoyed a successful career as principal cellist of the Pittsburgh Symphony Orchestra since 1979. Throughout her tenure with the orchestra, she has often been featured as soloist both in Pittsburgh and on tour in New York at Carnegie Hall and Avery Fisher Hall. Williams was soloist with the Pittsburgh Symphony in the Pittsburgh premier of The Giving Tree conducted by the composer, Lorin Maazel. This season, she will be featured in the Pittsburgh Symphony premiere of Jake Haggie’s The Work at Hand.
She has also collaborated with guest artists such as Yehudi Menuhin, André Previn, the Emerson Quartet, Lynn Harrell, Joshua Bell, Gil Shaham and Pinchas Zukerman in numerous chamber music performances. She made her London debut performing Dvořák’s Cello Concerto with the Royal Philharmonic, Andre Previn conducting. Her solo in The Swan on the Pittsburgh Symphony’s recording of Carnival of the Animals by Saint-Saëns was described by Grammophon critic Edward Greenfield as “…the most memorable performance of all.”
Mrs. Williams divides her time between the orchestra, teaching at Carnegie Mellon University in Pittsburgh, and solo and chamber music performances in America and Europe. She has appeared in several nationally televised productions including Concertos, produced by the BBC and Previn and the Pittsburgh, produced by WQED. She has given master classes at many universities and festivals throughout the country, including The Curtis Institute of Music, Manhattan School of Music, the New World Symphony in Miami, Aspen, Credo at Oberlin College and the Masterworks Festival. She also has performed at many of America’s prestigious summer music festivals including Aspen, Caramoor, Skaneateles, Maui, Rockport Festivals in Massachusetts and Maine, Grand Teton, Strings Festival in Steamboat Springs, Orcas Island, and Mainly Mozart in San Diego. For many years she has enjoyed performing throughout the country with her Piano Trio, which includes her good friends Andrés Cárdenes and David Deveau.
She was the proud recipient of the Carlow University, Women of Spirit National Award, and the Celebrate and Share Women of Achievement Award.
Williams is a graduate of the Curtis Institute of Music where she studied with Orlando Cole. Her Tecchler cello was made in Rome in 1701.
Artist Lecturer in Flute
Scottish-born Lorna McGhee is principal flute with the Pittsburgh Symphony Orchestra. She has performed as guest principal with Chicago Symphony, Minnesota Orchestra, London Symphony, London Philharmonic, Academy of St-Martin-in-the-Fields, Chamber Orchestra of Europe and has been fortunate to work with conductors such as Haitink, Gergiev, Rattle, Solti, Harnoncourt, Muti, and Honeck. Before immigrating to North America in 1998, Lorna was co-principal flute of the BBC Symphony Orchestra, England. As a soloist, she has given concerto performances with the London Symphony Orchestra, Scottish Chamber Orchestra, BBC Scottish Symphony Orchestra in the UK and Manitoba Chamber Orchestra, Toronto Philharmonia, and Victoria Symphony in Canada and the Nashville Chamber Orchestra, Oregon Bach Festival Orchestra, San Luis Obispo Symphony and Pittsburgh Symphony Orchestra in the USA. A career highlight was a performance of Penderecki's flute concerto with the Oregon Bach Festival Orchestra under the baton of the composer in 2004. As a chamber musician and recitalist, she has performed in Europe, North America and Australia, Singapore and Japan in such venues as London's Wigmore Hall, Edinburgh International Festival, the Louvre, Paris and the Schubertsaal of Vienna's Konzerthaus, Ottawa International Chamber Music Festival and the Australian Festival of Chamber Music. Her performances have been broadcast on CBC Radio in Canada, BBC Radio, NPR (USA), Netherlands Radio and ABC (Australia). She has made chamber music recordings for EMI, Decca ASV, Naxos and Meridian. Her recording for Naxos of Bax’ Chamber Music with the group ‘mobius’ was selected as Editor’s Choice in Gramophone Magazine. Along with Duo partner Heidi Krutzen, Lorna has released two CDs on Skylark Music: "Taheke, 20th century Masterpieces for flute and harp" and "Canada, New Works for flute and harp." As a member of Trio Verlaine (with her husband, violist David Harding and harpist, Heidi Krutzen) Lorna has recorded two CDs: “Fin de Siècle,” the music by Debussy and Ravel, and “Six Departures”, featuring works by Bax and Jolivet as well as new commissions by Schafer and Cotton. Both the Trio and Duo are committed to broadening the repertoire and have contributed eight new commissions to date. Lorna’s first flute and piano recital disc, “ The Hour of Dreaming” with pianist, Piers Lane was released on the Beep label in 2014.
Lorna’s principal teachers were William Bennett (Royal Academy of Music) and David Nicholson (Junior Department of the Royal Scottish Academy of Music and Drama). Both placed great emphasis on quality and expressiveness of sound. Lorna was formerly Visiting Associate Flute Professor at the University of Michigan, adjunct flute instructor at the University of British Columbia, and Visiting Fellow in Flute at the Royal Conservatoire of Scotland (formerly the RSAMD). She has given master classes at the Royal Academy of Music, Royal College of Music, Guildhall School of Music, Royal Scottish Academy of Music, William Bennett International Flute Summer School, Trevor Wye’s flute studio, Sir James Galway International Flute Festival, Pender Island Flute Retreat, National Flute Association Conventions, Julliard School, and universities across the USA and Canada, and has been a guest artist/teacher at the Banff International Centre for the Arts. In 2011 she was a jury member of the Boehm International Flute Competition. Lorna is an honorary ‘Fellow of the Royal Academy of Music’.
I try to awaken the student’s own curiosity, enthusiasm, discernment, and artistry. I encourage a love, and reverence for the music, respect for one’s own work and a ‘generosity towards’, not ‘fear of’ the audience. We are best able to learn and integrate new ideas in an environment where stress levels are low, but alertness is high. Technique is merely physical co-ordination and we are at our most coordinated when the body is free from excess tension. Body awareness is a big part of my teaching – releasing unnecessary tension and building our trust & connection with the airstream, which is after all, the basis of all expression. Finding a natural connection to the breath gives us the ability to tap into the narrative quality of any piece of music, allowing us to ‘talk’ through our instrument. We can follow the example of great actors whose performance is enhanced by the range and subtlety with which they can vary their tone of voice. I find that the Alexander Technique is a great resource in this respect. The aim is to find greater and greater ease and mastery, both on a physical and mental level; performing with a peaceful body; being technically organized, finding meaning in the musical literature you are engaged with; having the skills to convey this meaning convincingly and authentically to the audience; finding relevance in your role as a musician within society as a whole. This approach is both an art and a discipline, allowing us to explore, through the flute, the fullest expression of the human voice. – L.M.
“Premiere Flautist Recital” for British Flute Society at Royal Academy of Music
“Premiere Flautist Recital” for British Flute Society at Royal Academy of Music
Shostakovich Romance from The Limpid Stream and Karg-Elert Chaconne
London Symphony Orchestra/Gergiev, Debussy L’Apres-midi d’un faune
Guest principal flute
London Symphony Orchestra/Gergiev, Stravinsky The Rite of Spring
Guest principal flute
Pittsburgh Symphony Orchestra/Honeck: Mahler Symphony No. 5 from Berlin Philharmoni
Assistant Teaching Professor and Director of Music Entrepreneurship
As Director of Music Entrepreneurship at Carnegie Mellon School of Music, Monique
Mead is passionate about helping students create new avenues for music in society.
Inspired and mentored by Leonard Bernstein, she has been a lifelong activist for classical
music as a violinist, educator and innovator. Performing as a soloist, chamber musician,
and presenter, Mead has devoted her performing career to nurturing new audiences
and deepening the musical experience for seasoned concertgoers. Since 1998, she has
appeared regularly on German television and radio featuring her innovative youth
concerts with prestigious German orchestras in Berlin, Munich, and Cologne. In the U.S.
she has collaborated with the Pittsburgh Symphony, San Diego Symphony, Mainly
Mozart, Orcas Island, Rockport Festival, among others. She currently serves as Board
Chair of Chamber Music Pittsburgh and has served as Co-Music Director of the Strings
Music Festival in Steamboat Springs from 2008-2014. At home, she particularly enjoys
performing chamber music with her two talented teens on harp and piano.
Artist Lecturer in Chamber Music
Pianist Dimitri Papadimitriou has distinguished himself as an artist of refined musicianship and personal verve. A passionate avid of chamber music, Dimitri has recently collaborated with many principal musicians from major European and U.S.orchestras, including Noah Bendix-Balgley, concertmaster of the Berlin Philharmonic, and Andrés Cárdenes, former concertmaster of the Pittsburgh Symphony Orchestra. A musician of versatile skills, he has lately developed an interest in conducting that led him to a successful debut on the podium with Chausson’s Symphony in B-flat major and Shostakovich’s Ninth Symphony at the Pierre Monteux Festival and School. Currently a faculty member at the Carnegie Mellon University School of Music in Pittsburgh, he also serves as the Artistic Director of the ‘Carnegie Mellon Chamber Series’, a newly found series that brings together members of the CMU faculty and Pittsburgh Symphony Orchestra. Before moving to the U.S., Dimitri was residing in Ireland enjoying a flourishing career with engagements in some of the country’s most prestigious venues and festivals, while completing his Doctorate in Music Performance. A native of Greece, Dimitri at age sixteen won first prize at the international chamber music competition ‘Classical Heritage’ of Moscow, made his debut with the Greek Radio Symphony Orchestra with Rachmaninov’s ‘Rhapsody on a theme of Paganini’ and following an outstanding success, he was invited to perform Tchaikovsky’s First Piano Concerto for a national broadcast. A graduate of Indiana University and the Royal Irish Academy of Music, he has participated in a plethora of festivals throughout Europe and the U.S.
Artist Lecturer in Cello
Cellist David Premo joined the Pittsburgh Symphony Orchestra in 1992, was promoted to Fourth Chair, a non-rotating position in 1994, and subsequent to a national audition in 1999, was offered the position of Assistant Principal. Following another round of national auditions, Mr. Premo was awarded the position of Associate Principal in 2001. Additionally, Mr. Premo has been Artist-Lecturer at Carnegie Mellon University since 1994, providing private cello instruction, coaching chamber music groups and teaching an orchestra repertoire class.
Mr. Premo came to Pittsburgh from Washington D.C., where he served as Associate Principal of the Kennedy Center Opera House Orchestra from 1980 until 1991. During his tenure in Washington, Mr. Premo performed chamber music at the Phillips Collection, the Corcorcan Gallery and the Library of Congress, and served on numerous occasions as principal cellist with the American Chamber Orchestra, the National Gallery Orchestra and the Wolf Trap Festival Orchestra, among others. Mr. Premo performed as a member of the National Symphony Orchestra, both at the Kennedy Center and on several United States and European tours.
Since coming to Pittsburgh, Mr. Premo has become a frequently requested
chamber musician and soloist, appearing on Shadyside and Rodef Shalom chamber music series and, in 1993, performing the Elgar Cello Concerto with the Edgewood Symphony. In 1995 Mr. Premo and Christopher Wu (violinist with the PSO and winner of the 1994 Passamaneck Award) won the Pittsburgh Concert
Society Competition. In 1996 Mr. Premo won the prestigious Passamaneck Award entitling him to a solo recital which he gave in Pittsburgh's Carnegie Hall in April 1997.
David Premo studied 'cello in his native Chicago with Margaret Evans of the Chicago Symphony, later with Robert Newkirk at Catholic University, and most recently with Janos Starker at Indiana University. His 'cello was made in approximately 1860 by Jean Baptiste Vuillaume.
Artist Lecturer in Clarinet
Michael Rusinek joined the Pittsburgh Symphony Orchestra in the fall of 1998 and holds the Mr. and Mrs. Aaron Silberman Principal Clarinet chair. Born in Toronto, his early studies were with Avrahm Galper at the Royal Conservatory of Music. He attended the Curtis Institute, and was appointed by Mstislav Rostropovich to the post of Assistant Principal Clarinet with the National Symphony Orchestra in Washington D.C.. Rusinek has performed as a soloist with many orchestras, and as a recitalist he has been heard across Canada on CBC Radio and in live concerts. He has performed throughout the United States and Israel. In 1985 he was awarded the grand prize in the International Clarinet Society competition and was a prize-winner in the Belgrade International Clarinet competition. In 1989 Rusinek represented Canada at the International Clarinet Festival in France. He has participated in many music festivals in the United States and Canada, including Musicians from Marlboro, and was featured on Sony records celebrating Marlboro's 50th anniversary. In the summer of 2000 Rusinek performed as Principal Clarinet in the Super World Orchestra, alongside musicians from around the world. He is working on Clarinetscape, an educational Web site for clarinetists.
Artist Lecturer in Trombone
Sullivan was appointed Principal Trombone of the Pittsburgh Symphony Orchestra by maestro Mariss Jansons. Canadian born, raised and trained, Mr. Sullivan came to Pittsburgh following a long and fruitful tenure as Solo Trombone with the Montreal Symphony under maestro Charles Dutoit.
Mr. Sullivan has performed as a soloist on many occasions with several orchestras including the Pittsburgh and Montreal orchestras. In 2006 he will perform the world premiere performance of Jennifer Higdon's Trombone Concerto with Sir Andrew Davis and the PSO. In 2007 Peter will be the featured soloist with Canada´s National Arts Center Orchestra.
Apart from his activities in Pittsburgh, Mr. Sullivan performs regularly across North America, Europe and the Far East as soloist and chamber musician alongside the world's leading brass players. He is a regular visitor to Japan playing and teaching at venues such as the Pacific Music Festival in Sapporo, the Suntory recital hall in Tokyo, the Hamamatsu Summer Academy as well as solo recitals in Osaka. In China, Peter is involved with the Canton International Summer Music Academy and will be performing and giving master classes at the Tian Jin and Beijing Conservatories in April of 2006.
Aside from countless orchestral performances in the great concert halls of Europe, Peter has performed with the Orchestra Internationale Italia and was featured in Christian Lindberg's Trombone Concerto in Bunol, Spain with the composer on the podium. Peter was also the first prize winner in the 1990 Umea International Solo Competition in Sweden.
Here at home, Mr. Sullivan has given concerts and clinics from coast to coast including master classes at the Juilliard and Manhattan schools in New York City, the Glen Gould Academy in Toronto, coaching at the New World Symphony and the Banff School and tours with the Summit Brass and the Music of the Baroque in Chicago. He has been heard across Canada in recital on CBC radio and on NPR with his colleagues in the Pittsburgh Symphony Brass.
Presently, Mr. Sullivan serves on the faculties of Duquesne and Carnegie Mellon universities in Pittsburgh following 15 years as adjunct professor at McGill University in Montreal. For the past few years, he has been working with the Yamaha Corporation on the development of their new line of orchestral trombones, the prototype of which he plays.
Associate Teaching Professor of Clarinet, Co-Director of Wind Ensemble
Thomas Thompson holds degrees from the American Conservatory of Music and Northwestern University, and studied privately with Jerome Stowell, Robert Marcellus and Clark Brody. A member of the Grant Park Symphony, Chicago, for seven years, Thompson also toured with the Chicago Opera Ballet Orchestra and the Boston Pops Tour Orchestra.
Thompson joined the Pittsburgh Symphony in 1966 and recently retired after 50 years. He has been featured as soloist in concertos by Carl Nielsen in Heinz Hall in 1981 and Carl Maria von Weber at Hartwood Acres in 1989.
He has conducted the Pittsburgh Opera Theater's production of Carmen, and he also finds opportunities to guest lecture and perform. He is Associate Teaching Professor in the School of Music at Carnegie Mellon University, and currently co-conducts the Wind Ensemble.
Artist Lecturer in Harp
Gretchen Van Hoesen has been Principal Harpist of the Pittsburgh Symphony since 1977. She has appeared as soloist with the Pittsburgh Symphony Orchestra on numerous occasions, both on the subscription series and on tour. Ms. Van Hoesen gave the New York premiere of the Alberto Ginastera Harp Concerto in 1976 and the Pittsburgh premiere in 1978. She has appeared as soloist with conductors AndrÃ© Previn, Lorin Maazel, James Conlon, Zdnek Macal, Sergiu Comissiona, and Pinchas Zukerman and has collaborated with flutists James Galway, Bernard Goldberg and Jean-Pierre Rampal in performances of Mozart's Concerto for Flute and Harp. Additional appearances with the Pittsburgh Symphony have included performances of the Handel Concerto in B flat, Danses SacrÃ© et Profane by Debussy, Concierto Serenata by Joaquin Rodrigo, and the Concerto for Harp by Rheinhold Gliere. In 1985 Ms. Van Hoesen and her husband, PSO Co-Principal Oboe James Gorton, presented the Pittsburgh premiere of Witold Lutoslawski's Double Concerto for Oboe, Harp and Chamber Orchestra on the Pittsburgh Symphony subscription series. During the 1990-91 season Gretchen Van Hoesen was featured soloist in the Peggy Stuart Coolidge Rhapsody for Harp and Orchestra for the Pittsburgh Symphony Pops series and gave the United States premiere of Suite Concertante for solo harp and orchestra by Manuel Moreno-Buendia in San Antonio, Texas. In 1995 she performed the Gliere Harp Concerto with the Greenville (PA) Symphony, the Sun Valley (ID) Summer Symphony, and the Lake Placid Sinfonietta. In the 2006-7 season, Ms. Van Hoesen premiered two solo harp compositions by Nancy Galbraith and Adam Schoenberg and performed the Mozart Concerto, K. 299 with the Sun Valley Summer Symphony. In March 2008 she will present the world premiere of Sir AndrÃ© Previnâ€™s Concerto for Harp on the Pittsburgh Symphony subscription series. Ms. Van Hoesen has also performed as soloist with the Rochester Philharmonic Orchestra, the National Orchestral Association, the Greenwich Philharmonia, and the Westmoreland Symphony. She has concertized in the metropolitan New York area at Carnegie Recital Hall, Alice Tully Hall and the Brooklyn Museum, and has presented concertos at the Academy of Music in Philadelphia and the John F. Kennedy Center for the Performing Arts in Washington. Ms.Van Hoesen was winner of the 1978 Passamaneck Competition and appeared in recital at the Y Music Series of the Pittsburgh Jewish Community Center. In 1984 Ms.Van Hoesen opened the Heinz Hall Chamber Music Series with the world premiere of Sonatina for Solo Harp written for her by Paul Schwartz. Ms.Van Hoesen has been a recitalist throughout the Pittsburgh area at Duquesne University, Carnegie Mellon University, Chatham College, Carlow College, Shadyside Concerts, Pittsburgh Chamber Music Project, Rodef Shalom series, California University of Pennsylvania, Slippery Rock University, the Renaissance City Winds series, Geneva College, the Frick Art Museum and the Pittsburgh Peace Institute. She has been a featured soloist at American Harp Society National Conferences in Boston, Pittsburgh, San Antonio, Washington, D.C. and Fredonia, New York. Ms.Van Hoesen has served as a judge for National Competitions of the American Harp Society and has been an officer for the Pittsburgh Chapter of the American Harp Society. Gretchen Van Hoesen graduated from the Juilliard School of Music earning both B.M. and M.M. degrees in harp as a scholarship student of Marcel Grandjany and Susann McDonald. She is also a graduate of the Eastman School of Music Preparatory Department with highest honors in piano and harp, where she was a student of Eileen Malone. She further studied with Gloria Agostini. Her credentials as an orchestral musician include performing as Principal Harp in the New York Lyric Opera, the New York City Ballet, the National Orchestral Association, the Greenwich Philharmonia, the Pittsburgh Opera and the Pittsburgh Ballet Theatre, the Lake Placid Sinfonietta, the Spoleto Festival Orchestra (Italy), the Virginia Opera, the Sun Valley Summer Symphony and the Jeunesses Musicales Orchestra (Germany). She presently holds the Virginia Campbell endowed Principal Harp Chair of the Pittsburgh Symphony Orchestra. Gretchen Van Hoesen was selected to perform in Tokyo and Osaka, Japan, in the Super World Orchestra 2000, an orchestra made up of key musicians from around the globe. In 1985, the recording Lullabies and Night Songs was released on the Caedmon label featuring Jan DeGaetani, soprano; Gretchen Van Hoesen, harp; and instrumental ensemble. Ms. Van Hoesen collaborated with her father, bassoonist K. David Van Hoesen, and singer Jan DeGaetani in a recording of the Phyllis McGinley Song Cycle written for them by the late Alec Wilder. In the 1990-91 season, Ms.Van Hoesen performed the world premiere of Blues for Harp, Oboe, and Violoncello by Lawrence Hoffman and presented a master class and oboe/harp duo recital in Taipei, Taiwan. Composer Robert Kelly wrote and dedicated Modal Variations for Ms. Van Hoesen and her husband, and Suite for Oboe and Harp by James Legg was written for the duo and premiered in March 1993. Pavanes, Pastorales, and Serenades for Oboe and Harp, a CD for Boston Records, was issued in December 1998 with critical raves from around the country. Ms. Van Hoesen collaborated with conductor Rossen Milanov to record the Gliere and Jongen Harp Concertos and BuendiÃ¡â€™s Suite Concertante with the New Symphony Orchestra in Sofia, Bulgaria. These performances are available on Boston Records. Ms. Van Hoesen is a faculty member at Carnegie Mellon and Duquesne universities and combines teaching there with private students at her home in Pittsburgh. She has given master classes at Duquesne University, the Eastman School of Music, The Curtis Institute of Music, Manhattan School of Music, the University of Illinois, the Aspen Music Festival, the National University of the Arts in Seoul, Korea, and has been an artist-lecturer on numerous series in Pittsburgh as well as throughout the country. She was a faculty member of the Aspen Music Festival and School from 2001-6. Her students have won numerous national awards and prizes.
Assistant Teaching Professor of Trumpet, Co-Director of Wind Ensemble
George Vosburgh, celebrated soloist and lecturer is internationally acclaimed for his virtuosity on the trumpet in recordings, concerts and recitals, as well as guest artist performances in such locales as the Bonn Festival at Rolandsek, the Ravinia Festival, and the Curs Internacional de Musica in Valencia, Spain. In 1992 he joined the Pittsburgh Symphony Orchestra as Principal Trumpet.
The National Academy of Recording Arts and Sciences awarded George Vosburgh Best New Classical Artist in 1985 for the Reference recording of Stravinsky's L'Histoire du Soldat with Chicago Pro Musica. He is a Bavarian Radio International Music competition prize winner and a Gold Record recipient for his work with the New Age music ensemble Mannheim Steamroller. In 2003 he was invited to become Principal Trumpet of the World Orchestra for Peace Valery Gergiev Music Director. The orchestra has since done several tours across Europe and China with many recordings and television programs.
Recent recordings featuring George Vosburgh include Trumpeter's Heritage, music by Bach, Bohme, Tomasi, Fasch, and Neruda with the Czech Philharmonic, Arnie Roth conducting. Trumpet Masterworks, pieces for trumpet and piano, Alaine Fink - piano.. Four Trumpet Concerti, works by Haydn, Hummel, Telemann, and Leopold Mozart with the Seattle Symphony, Gerard Schwarz conducting. All recent recordings are featured on the Four Winds label.
In 1994 Mr. Vosburgh organized the Pittsburgh Symphony Brass, a unique brass ensemble featuring some of the world's finest orchestral brass musicians in chamber ensemble. The brass has enjoyed a flurry of recording activity including a1998 release of Bach's The Art of the Fugue on the Four Winds label. Along with featured tracks on collection CDs, in 2000 the group released its second CD A Christmas Concert also on the Four Winds label. In June of 2002 the brass released its new recording with the Bach Choir of Pittsburgh, music for mixed chorus, brass, and organ. The latest recording, The Spirit of Christmas has won the group national attention including features for National Public Radio and WQED Pittsburgh .
As an educator, Mr. Vosburgh has appeared in universities across Europe, the Far East, and the United States including Northwestern, University of Michigan, U.C.L.A., as well as the Tanglewood Fellowship program. He has lectured at the International Trumpet Guild's annual conference and has recently published a critical edition of the Bohme Concerto for Trumpet and Orchestra in E minor under LeDor Publishing. He is currently on the faculty of Duquesne University and Carnegie Mellon University, both in Pittsburgh.
Mr. Vosburgh is a graduate of the University of Rochester's Eastman School of Music, where he was Principal Trumpet and featured soloist with the Eastman Wind Ensemble. He began his career as an orchestral trumpeter at age 19 as third trumpet and assistant principal of the Rochester Philharmonic Orchestra under the direction of David Zinman. After three years with Rochester, he joined the Chicago Symphony Orchestra under the direction of the late Sir Georg Solti as the youngest member of that orchestra's world-famous brass section.
George Vosburgh holds the Pittsburgh Symphony Orchestra's Martha Brooks Robinson Chair and is an active member on various Pittsburgh Symphony Orchestra Committees.
Artist Lecturer in Violin
Violinist Christopher Wu enjoys a diverse career as an orchestral and chamber musician, teacher and soloist. A graduate of the Eastman School of Music, Wu joined the first violin section of the Pittsburgh Symphony Orchestra in 1988, and holds the Nancy & Jeffery Leininger First Violin Chair. He has previously served as concertmaster of the Oklahoma City Philharmonic and Riverside Orchestra and has performed with the Boston Symphony Orchestra at Tanglewood, and the Rochester and Buffalo Philharmonics.
An active chamber musician, Wu has played with a wide range of artists including Nancy Wilson, Joshua Bell, and the Muir String Quartet. He is a founding member of the innovative chamber music group Innuendo, hailed by the Boston Herald as “an ensemble notable for its unanimity of spirit and sonority” and for its “warmly intense interpretive powers.” Chris has appeared in numerous festivals in recent seasons including Aspen, Brevard, Heidelberg, Savannah, Masterwork, Stockbridge and St. Bart’s Music Festival.
Mr. Wu is currently on the faculties of Duquesne University, Carnegie Mellon University and Geneva College. He has taught classes at the University of Texas, Youngstown State University, Ottawa University, Boston University Tanglewood Institute, and has served as Associate Professor of Violin at the University of Oklahoma.
As a soloist, Wu has been described by the Tribune-Review as a musician of “virtuoso command with depth of musical understanding.” He has appeared numerous times as a soloist for the PSO and has given recitals to critical acclaim.
Chris’ violin was made in 1727 by Nicolo Gagliano. In his spare time, he enjoys golf, ice hockey, traveling and cooking. He and his wife Annette, reside in Gibsonia with their two children Wesley and Grace. In 1991, he survived a near-fatal automobile accident, and he is grateful for every opportunity to play.
CMU Chamber Orchestra
Ronald Zollman, conductor
W. A. Mozart
Symphony No. 40 in G Minor, Kv. 550
Mvt. 1 Molto Allegro
CMU Baroque Ensemble
Stephen Schultz, Director
Bach's Brandenburg Concerto No. 2 - Mvt. 1
CMU Symphony Orchestra
Ronald Zollman, conductor
Richard Strauss' Metamorphosen (excerpt)
Ronald Zollman, conductor
Symphony No. 5
Mvt. 1 Trauermarsch
Carnegie Mellon University Philharmonic
Ronald Zollman, conductor
Movement 4 - Marche Au Supplice
Hector Berlioz (1803-1869)
Carnegie Mellon Wind Ensemble
Thomas Thompson, conductor
Four Scottish Dances
Mvt. I. Pesante
Malcolm Arnold (1921-2006)
arr: John P. Paynter,
Carnegie Mellon Wind Ensemble
Stephen Story, conductor
Carnegie Mellon Wind Ensemble
George Vosburgh, conductor
Konzertmusic fur Blasorchester Op. 41
Mvmt. II. Sechs Variationen uber das Lied "Prinz Eugen der edle Ritter”