Artist Lecturer in Trombone
Sullivan was appointed Principal Trombone of the Pittsburgh Symphony Orchestra by maestro Mariss Jansons. Canadian born, raised and trained, Mr. Sullivan came to Pittsburgh following a long and fruitful tenure as Solo Trombone with the Montreal Symphony under maestro Charles Dutoit.
Mr. Sullivan has performed as a soloist on many occasions with several orchestras including the Pittsburgh and Montreal orchestras. In 2006 he will perform the world premiere performance of Jennifer Higdon's Trombone Concerto with Sir Andrew Davis and the PSO. In 2007 Peter will be the featured soloist with Canada´s National Arts Center Orchestra.
Apart from his activities in Pittsburgh, Mr. Sullivan performs regularly across North America, Europe and the Far East as soloist and chamber musician alongside the world's leading brass players. He is a regular visitor to Japan playing and teaching at venues such as the Pacific Music Festival in Sapporo, the Suntory recital hall in Tokyo, the Hamamatsu Summer Academy as well as solo recitals in Osaka. In China, Peter is involved with the Canton International Summer Music Academy and will be performing and giving master classes at the Tian Jin and Beijing Conservatories in April of 2006.
Aside from countless orchestral performances in the great concert halls of Europe, Peter has performed with the Orchestra Internationale Italia and was featured in Christian Lindberg's Trombone Concerto in Bunol, Spain with the composer on the podium. Peter was also the first prize winner in the 1990 Umea International Solo Competition in Sweden.
Here at home, Mr. Sullivan has given concerts and clinics from coast to coast including master classes at the Juilliard and Manhattan schools in New York City, the Glen Gould Academy in Toronto, coaching at the New World Symphony and the Banff School and tours with the Summit Brass and the Music of the Baroque in Chicago. He has been heard across Canada in recital on CBC radio and on NPR with his colleagues in the Pittsburgh Symphony Brass.
Presently, Mr. Sullivan serves on the faculties of Duquesne and Carnegie Mellon universities in Pittsburgh following 15 years as adjunct professor at McGill University in Montreal. For the past few years, he has been working with the Yamaha Corporation on the development of their new line of orchestral trombones, the prototype of which he plays.
Associate Teaching Professor in Electrical and Computer Engineering
Though there is currently no funded research at CMU in this area, Dr. Sullivan's interests lie in the areas of signal processing for audio and music systems.
Audio Signal Processing
As the professional recording industry has grown, so has the complexity and quality of sound recording equipment. Research in audio signal processing serves the advancement of digital audio recording. From the need for lossless data compression, to higher quality filtering for A/D and D/A conversion, to better error correction coding for digital hard disk and magnetic tape systems (and compact discs), the research areas where electrical engineers can aid the entertainment industry are great.
Music Signal Processing
Signals from musical instruments are very complex waveforms. As the professional recording and performance industries demand higher quality synthesis of existing musical instruments, the study of new methods of instrument synthesis has increasing importance. In addition, the greater quality of films and television have increased the need for more realistic generation of sound effects. The use of digital sampling in the creation of music and sound effects merges the music and professional audio signal processing areas.
In addition, there is increasing desire for the control of music synthesizers by other existing musical instruments and new, non-standard "instruments" or "controllers". Pitch and expressive tracking of these instruments are vital to obtaining information from a performer that is capable of giving the performer high-level control over a music synthesizer.
Professor of Music
Marilyn Taft Thomas is Professor of Theory and Composition in the Carnegie Mellon School of Music. She is an active composer with works for orchestra, choir, piano, voice, brass band and chamber ensembles. She has won prizes from the National Federation of Music and the National Harvey Gaul Competition, the McKeesport Symphony Orchestra, Carnegie Mellon University, the American Music Center,the Pittsburgh New Music Ensemble, the River City Brass Band, and the 2011 Strings Music Festival in Steamboat Springs, Colorado. A two-CD collection of her works, "Seasons Within" is available through Amazon.com.
Assistant Teaching Professor, baritone
Internationally acclaimed baritone DANIEL TEADT has performed throughout the United States and Europe in over thirty operatic roles in repertoire spanning more than 400 years. His range of repertoire includes his New York City Opera debut as the title role in Telemann’s Orpheus which followed his critically acclaimed portrayals of Charlie in Jake Heggie’s Three Decembers and the title role in Tobias Picker’s Fantastic Mr Fox. Recently he performed with the Pittsburgh Symphony, Susquehanna Vallay Chorale, Resonance Works, Pittsburgh Song Collaborative and Lyric Fest.
Upcoming he will be appearing with Pittsburgh Opera in Little Women, Akron Symphony for the Faure Requiem, West Liberty Chorale’s Messiah, Resonance Works, Elgar’s The Apostles with the Riverside Symphonia and the New York City premiere of Missa Latina with Canticum Novum. Other notable highlights include Grammy Award winning performances with the London Symphony Orchestra, appearances with Pittsburgh Opera, San Francisco Opera, Aix-en-provence Festival, Arizona Opera, Opera Theatre of St Louis, Anchorage Opera, Ashlawn Opera Festival and Central City Opera among others.
A lauded concert singer and recitalist Mr Teadt has also appeared with the Los Angeles Philharmonic, Pittsburgh Symphony, Pacific Symphony, Kansas City Symphony, Concerto Koln, Chatham Baroque, Los Angeles Master Chorale, I Pomeriggi Musicali di Milano, Victoria Bach Festival, the Orchestras of the San Francisco and Metropolitan Opera as well as recitals with the Ravinia Festival, Music In A Great Space, Lyric Fest, Music Of St Paul’s Recital Series, Pittsburgh Song Collaborative, Palm Beach Song Series, Freya String Quartet, New York Festival of Song, San Francisco Opera Schwabacher Debut Recitals and Aix-en-provence Festival.
His accolades include the Theodore Uppman prize from the George London Foundation, a Matteus Sullivan Career Grant, top honors from the MacAllister and Palm Beach Opera Awards as well as the prestigious Ganzalus Prize for Voice.
As a Master Teacher and technician Daniel has presented master classes and workshops as well as taught students throughout the world including Central Conservatory of Music-Beijing, The Palacio das Artes in Minas Gerais, Brazil, Arizona Opera, Ball State University, Clarion University, Arizona State University, Lincoln Park Performing Arts School, Trinity Scholars, Carnegie Mellon University Pre-College Program, Opera Theater Summerfest, Point Park University and Washington & Jefferson College. Daniel is an Assistant Teaching Professor of Voice at Carnegie Mellon University.
Associate Teaching Professor of Clarinet, Co-Director of Wind Ensemble
Thomas Thompson holds degrees from the American Conservatory of Music and Northwestern University, and studied privately with Jerome Stowell, Robert Marcellus and Clark Brody. A member of the Grant Park Symphony, Chicago, for seven years, Thompson also toured with the Chicago Opera Ballet Orchestra and the Boston Pops Tour Orchestra.
Thompson joined the Pittsburgh Symphony in 1966 and recently retired after 50 years. He has been featured as soloist in concertos by Carl Nielsen in Heinz Hall in 1981 and Carl Maria von Weber at Hartwood Acres in 1989.
He has conducted the Pittsburgh Opera Theater's production of Carmen, and he also finds opportunities to guest lecture and perform. He is Associate Teaching Professor in the School of Music at Carnegie Mellon University, and currently co-conducts the Wind Ensemble.
Artist Lecturer in Acting
Kelly Trumbull is a Pittsburgh, Pennsylvania based actor and educator. As an educator, she has collaborated with numerous local organizations such as City Theatre Company, Pittsburgh Public Theater, Donna Belajac’s Actor’s Studio, Center for Theater Arts, MGR Foundation, Propel Charter Schools, and Bricolage. She serves as an Adjunct Theater Professor at Point Park University’s Conservatory of Performing Arts, where she has taught acting, theater history, and humanities. Additionally, she has taught in New York City at organizations such as Uncommon Schools, Wingspan Arts, Brooklyn Arts Exchange, and New York University’s Looking for Shakespeare. As an actor, Pittsburgh theater credits include Pittsburgh CLO, Pittsburgh Public Theater, City Theatre Company, Bricolage, No Name Players, and The Rep at Point Park University. She also works regularly as an actor in television and film. She holds a BFA in Acting from Syracuse University and a master’s degree in Educational Theatre in Colleges and Communities from New York University. She is excited to begin serving on the faculty of Carnegie Mellon University’s School of Music this fall, where she will teach acting to freshman voice majors.
Professor of Composition
Reza Vali was born in Ghazvin, Persia (Iran) in 1952. He began his music studies at the Conservatory of Music in Tehran. In 1972 he went to Austria and studied music education and composition at the Academy of Music in Vienna. After graduating from the Academy of Music, he moved to the United States and continued his studies at the University of Pittsburgh, receiving his Ph.D. in music theory and composition in 1985. Mr. Vali has been a faculty member of the School of Music at Carnegie Mellon University since 1988. He has received numerous honors and commissions, including the honor prize of the Austrian Ministry of Arts and Sciences, two Andrew W. Mellon Fellowships, commissions from the Pittsburgh Symphony Orchestra, the Boston Modern Orchestra Project, the Pittsburgh New Music Ensemble, Kronos Quartet, the Seattle Chamber Players, and the Arizona Friends of Chamber Music, as well as grants from the Pennsylvania Council on the Arts and the Pittsburgh Board of Public Education. He was selected by the Pittsburgh Cultural Trust as the Outstanding Emerging Artist for which he received the Creative Achievement Award. Vali's orchestral compositions have been performed in the United States by the Pittsburgh Symphony, the Seattle Symphony, the Boston Modern Orchestra Project, the Baltimore Symphony, the Memphis Symphony Orchestra, and Orchestra 2001. His chamber works have received performances by Cuarteto Latinoamericano, the Pittsburgh New Music Ensemble, Kronos Quartet, the Seattle Chamber Players, and the Da Capo Chamber Players. His music has been performed in Europe, China, Chile, Mexico, Hong Kong, and Australia and is recorded on the Naxos, New Albion, MMC, Ambassador, Albany, and ABC Classics labels.
Assistant Teaching Professor of Violin, beginning in fall 2017
Artist Lecturer in Harp
Gretchen Van Hoesen has been Principal Harpist of the Pittsburgh Symphony since 1977. She has appeared as soloist with the Pittsburgh Symphony Orchestra on numerous occasions, both on the subscription series and on tour. Ms. Van Hoesen gave the New York premiere of the Alberto Ginastera Harp Concerto in 1976 and the Pittsburgh premiere in 1978. She has appeared as soloist with conductors AndrÃ© Previn, Lorin Maazel, James Conlon, Zdnek Macal, Sergiu Comissiona, and Pinchas Zukerman and has collaborated with flutists James Galway, Bernard Goldberg and Jean-Pierre Rampal in performances of Mozart's Concerto for Flute and Harp. Additional appearances with the Pittsburgh Symphony have included performances of the Handel Concerto in B flat, Danses SacrÃ© et Profane by Debussy, Concierto Serenata by Joaquin Rodrigo, and the Concerto for Harp by Rheinhold Gliere. In 1985 Ms. Van Hoesen and her husband, PSO Co-Principal Oboe James Gorton, presented the Pittsburgh premiere of Witold Lutoslawski's Double Concerto for Oboe, Harp and Chamber Orchestra on the Pittsburgh Symphony subscription series. During the 1990-91 season Gretchen Van Hoesen was featured soloist in the Peggy Stuart Coolidge Rhapsody for Harp and Orchestra for the Pittsburgh Symphony Pops series and gave the United States premiere of Suite Concertante for solo harp and orchestra by Manuel Moreno-Buendia in San Antonio, Texas. In 1995 she performed the Gliere Harp Concerto with the Greenville (PA) Symphony, the Sun Valley (ID) Summer Symphony, and the Lake Placid Sinfonietta. In the 2006-7 season, Ms. Van Hoesen premiered two solo harp compositions by Nancy Galbraith and Adam Schoenberg and performed the Mozart Concerto, K. 299 with the Sun Valley Summer Symphony. In March 2008 she will present the world premiere of Sir AndrÃ© Previnâ€™s Concerto for Harp on the Pittsburgh Symphony subscription series. Ms. Van Hoesen has also performed as soloist with the Rochester Philharmonic Orchestra, the National Orchestral Association, the Greenwich Philharmonia, and the Westmoreland Symphony. She has concertized in the metropolitan New York area at Carnegie Recital Hall, Alice Tully Hall and the Brooklyn Museum, and has presented concertos at the Academy of Music in Philadelphia and the John F. Kennedy Center for the Performing Arts in Washington. Ms.Van Hoesen was winner of the 1978 Passamaneck Competition and appeared in recital at the Y Music Series of the Pittsburgh Jewish Community Center. In 1984 Ms.Van Hoesen opened the Heinz Hall Chamber Music Series with the world premiere of Sonatina for Solo Harp written for her by Paul Schwartz. Ms.Van Hoesen has been a recitalist throughout the Pittsburgh area at Duquesne University, Carnegie Mellon University, Chatham College, Carlow College, Shadyside Concerts, Pittsburgh Chamber Music Project, Rodef Shalom series, California University of Pennsylvania, Slippery Rock University, the Renaissance City Winds series, Geneva College, the Frick Art Museum and the Pittsburgh Peace Institute. She has been a featured soloist at American Harp Society National Conferences in Boston, Pittsburgh, San Antonio, Washington, D.C. and Fredonia, New York. Ms.Van Hoesen has served as a judge for National Competitions of the American Harp Society and has been an officer for the Pittsburgh Chapter of the American Harp Society. Gretchen Van Hoesen graduated from the Juilliard School of Music earning both B.M. and M.M. degrees in harp as a scholarship student of Marcel Grandjany and Susann McDonald. She is also a graduate of the Eastman School of Music Preparatory Department with highest honors in piano and harp, where she was a student of Eileen Malone. She further studied with Gloria Agostini. Her credentials as an orchestral musician include performing as Principal Harp in the New York Lyric Opera, the New York City Ballet, the National Orchestral Association, the Greenwich Philharmonia, the Pittsburgh Opera and the Pittsburgh Ballet Theatre, the Lake Placid Sinfonietta, the Spoleto Festival Orchestra (Italy), the Virginia Opera, the Sun Valley Summer Symphony and the Jeunesses Musicales Orchestra (Germany). She presently holds the Virginia Campbell endowed Principal Harp Chair of the Pittsburgh Symphony Orchestra. Gretchen Van Hoesen was selected to perform in Tokyo and Osaka, Japan, in the Super World Orchestra 2000, an orchestra made up of key musicians from around the globe. In 1985, the recording Lullabies and Night Songs was released on the Caedmon label featuring Jan DeGaetani, soprano; Gretchen Van Hoesen, harp; and instrumental ensemble. Ms. Van Hoesen collaborated with her father, bassoonist K. David Van Hoesen, and singer Jan DeGaetani in a recording of the Phyllis McGinley Song Cycle written for them by the late Alec Wilder. In the 1990-91 season, Ms.Van Hoesen performed the world premiere of Blues for Harp, Oboe, and Violoncello by Lawrence Hoffman and presented a master class and oboe/harp duo recital in Taipei, Taiwan. Composer Robert Kelly wrote and dedicated Modal Variations for Ms. Van Hoesen and her husband, and Suite for Oboe and Harp by James Legg was written for the duo and premiered in March 1993. Pavanes, Pastorales, and Serenades for Oboe and Harp, a CD for Boston Records, was issued in December 1998 with critical raves from around the country. Ms. Van Hoesen collaborated with conductor Rossen Milanov to record the Gliere and Jongen Harp Concertos and BuendiÃ¡â€™s Suite Concertante with the New Symphony Orchestra in Sofia, Bulgaria. These performances are available on Boston Records. Ms. Van Hoesen is a faculty member at Carnegie Mellon and Duquesne universities and combines teaching there with private students at her home in Pittsburgh. She has given master classes at Duquesne University, the Eastman School of Music, The Curtis Institute of Music, Manhattan School of Music, the University of Illinois, the Aspen Music Festival, the National University of the Arts in Seoul, Korea, and has been an artist-lecturer on numerous series in Pittsburgh as well as throughout the country. She was a faculty member of the Aspen Music Festival and School from 2001-6. Her students have won numerous national awards and prizes.
CMU Chamber Orchestra
Ronald Zollman, conductor
W. A. Mozart
Symphony No. 40 in G Minor, Kv. 550
Mvt. 1 Molto Allegro
CMU Baroque Ensemble
Stephen Schultz, Director
Bach's Brandenburg Concerto No. 2 - Mvt. 1
CMU Symphony Orchestra
Ronald Zollman, conductor
Richard Strauss' Metamorphosen (excerpt)
Ronald Zollman, conductor
Symphony No. 5
Mvt. 1 Trauermarsch
Carnegie Mellon University Philharmonic
Ronald Zollman, conductor
Movement 4 - Marche Au Supplice
Hector Berlioz (1803-1869)
Carnegie Mellon Wind Ensemble
Thomas Thompson, conductor
Four Scottish Dances
Mvt. I. Pesante
Malcolm Arnold (1921-2006)
arr: John P. Paynter,
Carnegie Mellon Wind Ensemble
Stephen Story, conductor
Carnegie Mellon Wind Ensemble
George Vosburgh, conductor
Konzertmusic fur Blasorchester Op. 41
Mvmt. II. Sechs Variationen uber das Lied "Prinz Eugen der edle Ritter”